Commercial Font Not Free - Italian poet and author, Francesco Pastonchi was commissioned to produce a new edition of the Italian Classics but was unable to find types which satisfied his needs. He decided to embark on designing a new typeface, assisted by Professor Eduardo Cotti at
Commercial Font Not Free - A fresh new sans serif, something always useful, Scout (and a related logotype) was drawn by Cyrus Highsmith, a senior type designer at Font Bureau, for Geraldine Hessler's 2006 redesign of entertainment Weekly. The 24 style family marks the magazine's fi
Commercial Font Not Free - University Roman font is based on Speedball hand-lettering. Designed at the Letraset Type Studio in 1983. University Roman is notable for its narrow capitals with crossbars that sit well above the median line. This unique roman design evokes a romantic a
Commercial Font Not Free - A titling pixel font for Flash, CSS, and WAP design. This pixel font comes with both tight- and loosely-kerned versions. Tyler Young didn’t study typography - he was schooled via trial by fire. In creating an online magazine, Tyler found he needed fonts t
Commercial Font Not Free - Park Avenue Park Avenue CE is the Central European version of Park Avenue. Park Avenue was designed by R.E. Smith in 1933 for American Type Founders. Park Avenue is an elegant and light script with freely drawn capitals. Park Avenue’s pen-drawn quality
Commercial Font Not Free - Adrian Frutiger designed Vectora™ for Linotype in 1990, after realizing there was need for a sans serif type that could be read easily at small sizes. He was influenced by the sans serif types designed by Morris Fuller Benton in the early 1900s for Americ