Adapted by Jon Bernhardt in 1996 from the 1991 font by Cowan Design Associates Based on the famous handwriting of Matt Groening I added many punctuation characters
Adapted by Jon Bernhardt in 1996 from the 1991 font by Cowan Design Associates Based on the famous handwriting of Matt Groening I added many punctuation characters
Copyright 1998 Patrick Broderick/rotodesign For more info write to inforotodesigncom http//wwwrotodesigncom mailing address 350 Bay Street Suite 100 328 San Francisco CA 94133
Commercial Font Not Free - Disorder is loosely based on the style of some sans serif typewriter fonts, but this version is not fixed pitch. Some characters waver above and below the baseline, proving its disorderly conduct. Disorder sets most effectively when set in all caps. Becau
Commercial Font Not Free - Dynamo was designed by K. Sommer and released in 1930. As a headline face, the Dynamo font enjoyed popularity during the seventies and eighties due to availability as a Letraset transfer font.
Commercial Font Not Free - Lucida Sans brings a human look to the sans serif style. As in Lucida Bright, the inner forms are based on writing styles of the Italian Renaissance and have a more relaxed, hand-made rhythm than the rigid shapes of grotesque sans-serifs. The large x-heig
Commercial Font Not Free - Serpentine is a square-shaped sans serif design that is similar to Eurostile, but with more contrast between thick and thin strokes. The style is reminiscent of digital types and conveys a science fiction feel. The Serpentine font family is suitable for p
Commercial Font Not Free - The idea for the Generis type system came to Erik Faulhaber while he was traveling in the USA. Seeing typefaces mixed together in a business district motivated him to create a new type system with interrelated forms. The first design scheme came about in
Commercial Font Not Free - ITC Collection (442 OT fonts) The typefaces in the ITC Collection are among the best-known typefaces in the world. This collection combines the successful ITC fonts with the Fontek fonts from Letraset, and features the work of distinguished designers lik
Commercial Font Not Free - Hermann Zapf's brilliant ITC Zapf International design brings to the art of typography a comfortable typeface, formal enough for widespread use and generously tempered with a calligraphic warmth. One of the most significant characteristics of ITC Zapf Int
Commercial Font Not Free - The design of the Jeunesse font family derives from a study of primers which the designer undertook earlier in his career. Jeunesse was designed with the intention of combining excellent legibility and character recognition with the ability to create comp
Commercial Font Not Free - This font family is based on the designs of our Citymap Rounded bitmap style family, and was created with a hollow grid in order to allow designers to replicate LED displays. We recommend that when setting type at smaller point sizes, you use Love Bytes R
Commercial Font Not Free - Designed by W.A. Parker in 1928, Modernistic is a headline face with a 1920s Art Deco appeal. Use the Modernistic font for posters and packaging.
Commercial Font Not Free - A modernistic stencil design with two sets of capital letters. The bold version was created first and the plain version was added as an afterthought.