Commercial Font Not Free - A small, wide pixel font for scrolling text fields in Flash. This pixel font comes with both tight- and loosely-kerned versions. Tyler Young didn’t study typography - he was schooled via trial by fire. In creating an online magazine, Tyler found he needed
Commercial Font Not Free - Vasco de Gama belongs to the great breed of the Portuguese scafarers (1469-1524).His first great expedition led him to India round the Cape of Good Hope. Although he was known to be violent and pitiless, he showed enough courage and determination to commu
Commercial Font Not Free - The idea for the Generis type system came to Erik Faulhaber while he was traveling in the USA. Seeing typefaces mixed together in a business district motivated him to create a new type system with interrelated forms. The first design scheme came about in
Commercial Font Not Free - Hermann Zapf's brilliant ITC Zapf International design brings to the art of typography a comfortable typeface, formal enough for widespread use and generously tempered with a calligraphic warmth. One of the most significant characteristics of ITC Zapf Int
Commercial Font Not Free - A fresh new sans serif, something always useful, Scout (and a related logotype) was drawn by Cyrus Highsmith, a senior type designer at Font Bureau, for Geraldine Hessler's 2006 redesign of entertainment Weekly. The 24 style family marks the magazine's fi
Commercial Font Not Free - A titling pixel font for Flash, CSS, and WAP design. This pixel font comes with both tight- and loosely-kerned versions. Tyler Young didn’t study typography - he was schooled via trial by fire. In creating an online magazine, Tyler found he needed fonts t