Commercial Font Not Free - Lucida Sans brings a human look to the sans serif style. As in Lucida Bright, the inner forms are based on writing styles of the Italian Renaissance and have a more relaxed, hand-made rhythm than the rigid shapes of grotesque sans-serifs. The large x-heig
Commercial Font Not Free - Hermann Zapf's brilliant ITC Zapf International design brings to the art of typography a comfortable typeface, formal enough for widespread use and generously tempered with a calligraphic warmth. One of the most significant characteristics of ITC Zapf Int
Commercial Font Not Free - Italian poet and author, Francesco Pastonchi was commissioned to produce a new edition of the Italian Classics but was unable to find types which satisfied his needs. He decided to embark on designing a new typeface, assisted by Professor Eduardo Cotti at
Commercial Font Not Free - The Linotype Originals OpenType Edition version 2.0 includes the entire current offer of Linotype Original Fonts in OpenType format. The 1,710 included fonts are predominantly made up of exclusive Linotype fonts. A smaller portion comes from the Adobe Fo
Commercial Font Not Free - Park Avenue Park Avenue CE is the Central European version of Park Avenue. Park Avenue was designed by R.E. Smith in 1933 for American Type Founders. Park Avenue is an elegant and light script with freely drawn capitals. Park Avenue’s pen-drawn quality
Commercial Font Not Free - Adrian Frutiger designed Vectora™ for Linotype in 1990, after realizing there was need for a sans serif type that could be read easily at small sizes. He was influenced by the sans serif types designed by Morris Fuller Benton in the early 1900s for Americ