Copyright c Typographer Mediengestaltung 2000 Adine Kirnberg-Script 1991 by D Rakowski All rights reserved Full character set added by D Steffmann Kreuztal All rights reserved
Adapted by Jon Bernhardt in 1996 from the 1991 font by Cowan Design Associates Based on the famous handwriting of Matt Groening I added many punctuation characters
Adapted by Jon Bernhardt in 1996 from the 1991 font by Cowan Design Associates Based on the famous handwriting of Matt Groening I added many punctuation characters
Commercial Font Not Free - This font contains 174 characters; a variety of bolder abstract square and diamond designs, concentric designs, deco designs, greek key, dimensional diamonds and squares.
Commercial Font Not Free - C1 fonts include Central Europeon (CE), Figs characters. C1s Include CE, Figs, and Small caps. E1s include CE, Greek, Cyrillic, Figs and small caps.
Commercial Font Not Free - After eleven years and millions of character combinations, scientists at the Comicraft Alphabet Genome research facility in the Mojave Desert, under the direction of the genetartist known only as ''Ladronn,'' have finally determined the DNA sequence respo
Commercial Font Not Free - Disorder is loosely based on the style of some sans serif typewriter fonts, but this version is not fixed pitch. Some characters waver above and below the baseline, proving its disorderly conduct. Disorder sets most effectively when set in all caps. Becau
Commercial Font Not Free - The idea for the Generis type system came to Erik Faulhaber while he was traveling in the USA. Seeing typefaces mixed together in a business district motivated him to create a new type system with interrelated forms. The first design scheme came about in
Commercial Font Not Free - ITC Collection (442 OT fonts) The typefaces in the ITC Collection are among the best-known typefaces in the world. This collection combines the successful ITC fonts with the Fontek fonts from Letraset, and features the work of distinguished designers lik
Commercial Font Not Free - Hermann Zapf's brilliant ITC Zapf International design brings to the art of typography a comfortable typeface, formal enough for widespread use and generously tempered with a calligraphic warmth. One of the most significant characteristics of ITC Zapf Int
Commercial Font Not Free - The design of the Jeunesse font family derives from a study of primers which the designer undertook earlier in his career. Jeunesse was designed with the intention of combining excellent legibility and character recognition with the ability to create comp
Commercial Font Not Free - Italian poet and author, Francesco Pastonchi was commissioned to produce a new edition of the Italian Classics but was unable to find types which satisfied his needs. He decided to embark on designing a new typeface, assisted by Professor Eduardo Cotti at
Commercial Font Not Free - Adrian Frutiger designed Vectora™ for Linotype in 1990, after realizing there was need for a sans serif type that could be read easily at small sizes. He was influenced by the sans serif types designed by Morris Fuller Benton in the early 1900s for Americ